News & Current Affairs

September 16, 2008

Floyd founder Wright dies at 65

Floyd founder Wright dies at 65

Roger Waters, Nick Mason, Syd Barrett and Richard Wright

Wright (right) wrote songs on albums including Dark Side Of The Moon

Pink Floyd keyboard player and founder member Richard Wright has died, aged 65, from cancer.

Wright appeared on the group’s first album, The Piper at the Gates of Dawn, in 1967 alongside lead guitarist Syd Barrett, Roger Waters and Nick Mason.

Dave Gilmour joined the band at the start of 1968 while Barrett left the group shortly afterwards.

Gilmour said: “He was such a lovely, gentle, genuine man and will be missed terribly by so many who loved him.”

Writing on his website, he added: “And that’s a lot of people. Did he not get the loudest, longest round of applause at the end of every show in 2006?”

Wright’s spokesman said in a statement: “The family of Richard Wright, founder member of Pink Floyd, announce with great sadness that Richard died today after a short struggle with cancer.

“The family have asked that their privacy is respected at this difficult time.”

He did not say what form of cancer the self-taught keyboard player and pianist had.

Live 8

Wright, a founder member of The Pink Floyd Sound – and other previous incarnations including Sigma 6 – met Waters and Mason at architecture school.

Richard Wright

Wright rejoined Pink Floyd for the London Live 8 concert in 2005

Pink Floyd achieved legendary status with albums including 1973’s The Dark Side Of The Moon, which stayed in the US album chart for more than a decade.

Wright, known as Rick earlier in his career, wrote The Great Gig In The Sky and Us And Them from the album.

Waters left the band in 1981, performing his last concert at London’s Earls Court.

Wright, together with Gilmour and Mason, continued to record and tour as Pink Floyd during the remainder of the 1980s and into the 1990s, releasing their last studio album – The Division Bell – in 1994.

In 2005, the full band reunited – for the first time in 24 years – for the Live 8 concert in London’s Hyde Park.

Wright also contributed vocals and keyboards to Gilmour’s 2006 solo album On An Island, while performing with his touring band in shows in Europe and the US.

Send in your memories of Richard Wright

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September 6, 2008

Poland’s finest to rock Wembley

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Poland’s finest to rock Wembley

Bajm

Bajm were popular across Eastern Europe before the Iron Curtain fell

Eight of Poland’s top pop and rock acts perform in front of a 10,000-strong crowd at Wembley Arena on Sunday. Billed as the biggest ever Polish music event on foreign soil, what does it mean for Britain’s Polish community?

Crowds of adoring fans will pack Wembley Arena on Sunday to see their favorite superstars perform to a full house.

But it will not be Madonna, Oasis or Jay-Z entertaining more than 10,000 people.

Bajm and Lady Pank may be largely unheard of in the UK but are household names in Poland, where four million viewers are expected to watch the London Live show’s highlights on state channel TVP2.

Tabloid hellraiser

Described as Poland’s answer to Pink Floyd and Red Hot Chili Peppers, their albums have sold three million copies.

Alongside Bracia’s modern grungy-rock and Natalia Kukulska’s soulfull R’n’B, the show even has its own tabloid hellraiser in Doda, who has posed for Playboy and courted controversy by spitting on stage.

Stanislaw Trzcinski, president of promoter STX Records, said: “This is like the O2 Festival, except for Polish music.”

Natalia Kukulka. Photo Wojciech Wojtczak
Performing at Wembley is a great honor
Natalia Kukulska

Guests on stage include Jan Tomaszewski, the goalkeeper whose heroics at the old Wembley Stadium in 1973 helped secure a 1-1 draw to send Poland to its first World Cup at England’s expense.Mr Trzcinski said: “The name Wembley brings back happy memories for Polish people and it remains a special place, so it was the perfect location.”

Kukulska, 32, has performed with tenor Jose Carreras and duetted with British R’n’B star Lemar at the Sopot festival in Poland in 2005.

She said: “Performing at Wembley is a great honor. I hope I will draw energy from the people who have played there in the past.”

After picking up influences of Michael Jackson and Whitney Houston during a year in the US, she blended them with her own style to sell 2.5 million records at home.

Free tickets

“I’m very excited because this is the first time a lot of artists from Poland are performing abroad together,” she added.

Costing almost £1m to stage, the event has been advertised on 30 London buses and is being beamed back to Poland in high definition, thanks to a 100-strong production crew. Tickets were free to those who registered.

More than one million people voted in an internet talent competition giving bands the chance to perform on a second stage outside the arena, where they will be joined by top acts from the UK and Ireland’s Polish communities.

The show’s arrival reflects the remarkable influx of Poles into Britain.

After the Second World War, the Polish Resettlement Act allowed around 200,000 people to remain in the UK. They were mainly Polish troops, who had fought alongside the British, and their dependents.

By 2001, the census recorded just 60,680 Polish-born people living in Britain.

But since Poland’s accession to the EU in 2004, those numbers have swollen to the 405,000 estimated by the government last year, although the numbers arriving has dropped in recent months.

Appetite for rock

At least 100,000 settled in London, with many basing themselves around established Polish communities in western districts like Hammersmith.

There, the Posk cultural centre boasts the largest library of Polish books outside Poland, a gallery, restaurant and 350-seat theatre.

Supermarkets across Britain have started stocking Polish goods and delicatessens have sprung up in many towns.

THE PERFORMERS
Doda
Bajm: Six-piece rock outfit, formed in 1978, their 13 albums all went gold or platinum
Wilki: Hard-rock band, named “Wolves”, have performed in New York and London
Doda (pictured): Daughter of an Olympic weightlifter, gave up athletics to be a pop tearaway
Natalia Kukulska: Began singing aged seven and sold 1.5 million records as a child star
Kayah: Was a backing singer before her solo career in soul, jazz and R’n’B took off
Bracia: Their grunge-rock style made this band – “The Brothers” – favourites with younger fans
Monika Brodka: Her soulful voice was inspired by her idols Erikah Badu and Lauren Hill
Lady Pank: These punk survivors formed in 1982, playing 400 gigs to promote their debut album

But Piotr Grzeskiewicz, station director at Hammersmith-based Polskie Radio Londyn, said there had been little to feed young migrants’ appetite for rock and pop.

“Hundreds of thousands of Polish people in Britain have limited access to modern Polish culture and this is their best opportunity in many years to see some really big Polish bands,” he said.

Organizers hope many Britons will be at Wembley.

However, Mr Grzeskiewicz said: “The language barrier is huge. Only a few of these bands have played abroad and usually only for Polish fans.”

Warsaw-based bank PKO BP financed the event to promote its central London branch, which opened last December to cater both for migrants and British businesses investing in Poland.

Branch manager Katarzyna Cal said the move demonstrated the growing confidence in Poland’s economy and the number of investors keen to do business in the country.

Meanwhile, Dr Jan Mokrzycki, chairman of the UK’s Federation of Poles, admits he prefers the classical works of Chopin to today’s rock.

Vibrant

But the 75-year-old said the event would help build understanding between the established and newly-arrived Polish communities.

Initial tensions between the groups are diminishing, said the dental surgeon whose mother – a former Nazi concentration camp detainee – brought him to Britain in 1948 to escape communism.

“A combination of their youth, enthusiasm and education and our knowledge of the laws and customs of Britain is helping integration,” said Dr Mokrzycki.

“Cultural events of the old community have been traditional, forged from our experiences of pre-war Poland, so involve mostly classical or folk music.

“The new culture is vibrant with jazz and pop and it’s important younger people have access to that.”

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